Take a look at the art acquisitions we have made throughout the years. Click the artworks for more information about the artist and their works.

Etel Adnan

Untitled

2019

oil on canvas, 40.6 x 33 cm

Marguerite Humeau

Venus of Kostenki, A 35-year-old female human has ingested a marmoset's brain

2020

Pink alabaster, 20 x 12 x 12 cm

Chiharu Shiota

State of Being (Books)

2021

metal frame, books, red thread, 50 x 50 x 30 cm

Farah Al Qasimi

S Eating Watermelon

2015

archival inkjet print, 114 x 152.5 cm

"I’m always interested in taking
creative liberties with the truth."

Farah Al Qasimi

Farah Al Qasimi

Woman in Leopard Print

2019

archival inkjet print, 76.2 x 101.6 cm

Farah Al Qasimi

A's Reflection

2019

archival inkjet print, 101.6 x 74 cm

Farah Al Qasimi

Perfume (Obama, Lovable, Flawless)

2018

inkjet print, 76 x 53 cm

"Painting was a man’s world and in order for me to paint, I would need to come up with my own technique - which was using the traditional women’s technique of sewing."

Ghada Amer

Ghada Amer

Mandy

2013

Acrylic, embroidery and gel medium on canvas, 121.9 x 127 cm

Jessica Rankin

Strange Currents, EA

2020

Ink, acrylic and embroidery on linen, 182.9 x 243.8 cm

Mandy El-Sayegh

White Grounds (c-major)

2021

Oil on linen with mixed media

Marguerite Humeau

Black Spirit, A female human of an unknown age has ingested a Tasmanian devil's brain

2018

black alabaster, 12 x 10 x 43 cm

Michael Armitage

The Long Walk Home (Xala)

2020

Seven colour lithograph on Somerset warm white velvet 400gsm paper, 59.5 x 32.2 cm

Oliver Beer

Recomposition (Insulated Ecstasies)

2021

Fragments of cello and violin, bow, books about music, coloured pencils, domino piece, chess pieces, piano keys, piano hammers, mother of pearl, sectioned and set in resin, 74 x 47 x 3 cm

Tracey Emin

Blue Madonna

2020

3 colour lithograph on Somerset Velvet Warm White 400gsm, produced by Counter Studio, Margate, 65.5 x 55.5 cm

Christian Marclay

Scream (Sliced Red Mouth)

2018

Colour woodcut on Saunders Waterford 190 gsm hot press paper, 211.6 x 119.5 cm

Raqib Shaw

Edgy Spring

2020

Pencil, acrylic and enamel on paper, diameter: 42.5 cm, framed: 48.5 x 4 cm.

Julie Mehretu

Untitled

2021

Ink on paper, 55.9 x 76.2 cm

Tala Madani

Shit Moms (Run at the Sun)

2021

Ink and oil on linen, 203.2 cm x 203.2 cm x 3.2 cm

Latifa Echakhch

Wind Wall Icon

2021

Metallic pigment, red, black paint, concrete, fiber and vinyl on canvas, 202 x 152 x 5 cm

Gillian Wearing

Me reading Marguerite Duras

2021

Framed watercolour on paper, 39.5 x 31.5 x 2.6 cm

Cao Fei

Nova 01

2019

Inkjet print on paper, 105 × 150cm

Etel Adnan

Untitled

2019

oil on canvas, 40.6 x 33 cm

Etel Adnan

Untitled

2019

oil on canvas, 40.6 x 33 cm

"Artists should not look to the left or the right. Art should be strong and nonconformist —and most importantly, art should always be personal."

Isa Genzken

Isa Genzken

Nofretete

2018

MDF plinth, plaster bust on wooden base, glasses, photograph, glue, mirror tape, print paper (LP inlay),
190 x 30 x 40 cm

Mary Weatherford

Ruby

2019

Flashe and neon on linen, 223.52 x 147.32 cm

"You need to be confident of the step you are taking, not of where it will take you because the moment you put the pencil to paper is the moment when you change the world."

Olafur Eliasson

Olafur Eliasson

Quantum entangled ideas (generous orange)

2020

coloured glass (pink, orange fade, blue), driftwood, 105.5 x 80 x 12 cm

Simone Fattal

Horseman

2019

Glazed stoneware, 30 x 26 x 35 cm

Simone Fattal

Djinn and Zhat El Himma (3)

2010

Glazed terracotta, 30 x 13.5 x 6.5 cm

Michael Armitage

Dream and Refuge

2020

Seven colour lithograph on Somerset warm white velvet 400gsm paper, 48.8 x 23.5 cm

Olafur Eliasson

Blue polar eclipse

2019

coloured glass (light blue fade, orange fade, transparent), coloured glacial-rock-flour glass(medium green), silver, dichroic coating, driftwood, 105 x 80 x 12 cm

Ulrike Müller

Ulrike Müller, Container

2019

Enamel on steel

Catherine Murphy

Snowflakes (for Joyce Robbins)

2011

oil on canvas, 132.1 x 132.1 cm

Hiroshi Sugimuto

Five Elements: Tasman Sea, Nagarupupu

2012

Optical quality glass, B/W transparency, 15.2 x 7.6 x 7.6 cm

"Sometimes, you don’t know what you’re doing. You just begin."

Joan Jonas

Joan Jonas

Victory to the BEES!!

2016

watercolour on handmade paper, 75.6 x 55.9 cm

John Akomfrah

Untitled

2016

C-type print mounted on Dibond, 101.6 x 152.4 cm

Jorinde Voigt

Jorinde Voigt, The Landing/Game of Congruence (V)

2017

Ink, gold leaf, Indian ink, pastel, pencil on paper, 102 x 66 cm

Zheng Guogu

Mantra Wheel (for Career, No. 2)

2012

oil on canvas, 200 x 200 cm

Chiharu Shiota

State of Being (Books)

2016

Red thread, Miniature books, 20 x 20 x 20 cm

Gabriel Orozco

Samurai Tree (Invariant 6)

2005

Acrylic on canvas, 120 x 120 cm

TEAM LAB

Ever Blossoming Life - Dark

2014

digital work, endless

Ulrike Müller

Weather

2013

Enamel on steel, 39.4 x 30.5 cm

Ulrike Müller

Inverse Weather

2015

Enamel on steel, 39.4 x 30.5 cm

Ulrike Müller

Dokebi

2016

Enamel on steel, 39.4 x 30.5 cm

Ulrike Müller

Dokebi

2016

Enamel on steel, 39.4 x 30.5 cm

Jessica Rankin

Heavier Than Air (after Lyn Hejinian)

2016

Embroidery on organdy, 146.5 x 144 cm

Imi Knoebel

Paul: Kenn ich!

2013

Acrilyc on aluminium, 223 x 221 x 6 cm

Katharina Grosse

o.T

2015

acrylic on canvas, 145 x 940 cm

"I think the point is to try to be critical of oneself and to not trust oneself because I think that I am not to be trusted because I cannot really know what I am doing because I am at the mercy of feelings that are outside of my control."

Martin Creed

Martin Creed

Work No. 1895: EVERYTHING IS GOING TO BE ALRIGHT

2014

white neon, 150 x 3500 x 45 mm

Thomas Bayrle

Madonna Croche

1988

Silkscreen print on gray fabric, 175.3 x 129.5 cm

Yves Klein

La victoire de Samothrace

1962

Dry pigment and synthetic resin on plaster cast with metal and stone base, 49.5 x 26 x 29.8 cm

"In research and consciousness we are continuously coming closer to the point where every reality is present everywhere."

Thomas Bayrle

Thomas Bayrle

Borkenkäfer

1983 – 1985

Oil on chipboard