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Image 1: Ackroyd & Harvey, Lille Madden / Tar-Ra (Dawes Point), Gadigal land, Sydney, 2022
seedling grass (fescue, native, rye), clay, hessian; image imprinted through process of photosynthesis
Courtesy of the artists
Image 2: Ackroyd & Harvey, Uncle Charles ‘Chicka’ Madden / Tar-Ra (Dawes Point), Gadigal land, Sydney, 2022
seedling grass (fescue, native, rye), clay, hessian; image imprinted through process of photosynthesis
Courtesy the artists
Image 3: Leeroy New, Flotilla, 2022
Commissioned by the Biennale of Sydney with generous support from the Australia-ASEAN Council and assistance from Mirvac and Parramatta Artists’ Studios.
Courtesy of the artist.
Image 4: Leeroy New, Balete, 2022
Commissioned by the Biennale of Sydney with generous support from the Australia-ASEAN Council and assistance from Mirvac and Parramatta Artists’ Studios.
Installation view, 23rd Biennale of Sydney, rīvus, 2022, Arts and Cultural Exhange. Photography: Document Photography.
Courtesy the artist.
Image 5: Juliana Góngora Rojas, Cuerpo de leche / Milk Body, 2022
Installation with a mantle woved with milk threads, rue, steel, water, lime.
Courtesy of the artist.
Image 6: Tania Candiani, Waterbirds: Migratory Sound Flow, 2022
Installation at the 23rd Biennale of Sydney, 2022
Courtesy of the artist
Images 7 – 9: Alexandra Daisy Ginsberg, The Substitute, 2019
Paired digital film installation, 2 synchronised films
6:18 minute duration
Edition of 5 + 1AP
© Alexandra Daisy Ginsberg
Visualisation/animation by The Mill.
Courtesy the artist. Image 10: Gail Mabo, Mabo Case 1.
Commissioned 2018 with funds from Thomas Bradley QC through the Queensland Art Gallery. Courtesy the artist and Gallery of Modern Art Foundation GOMA
Image 11: Jessie French, installation for rivūs 23rd Biennale of Sydney 2022. Courtesy of the artist and Anaïs Lellouche.
Image 12: Qavavau Manumie, Untitled, 1995
Graphite, coloured pencil, ink, 50.7 x 66 cm
Photograph: Copyright Dorset Fine Arts
Image 13: Qavavau Manumie, Untitled, 2012
Graphite, coloured pencil, ink, 123 x 122 cm
Photograph: Copyright Dorset Fine Arts
Image 14: Badger Bates with Anthony Hayward & David Doyle, Barkandji canoe , 2020; Badger Bates, Mungabuttaka, 2021; Karnka, 2021; Wanna, 2019; Coolamon, 2021; Nulla nulla, 2019.
Courtesy Badger Bates, Anthony Hayward and David Doyle.
Image 15: Wura-Natasha Ogunji, View from Atlantis, 2015
Thread, ink, graphite on tracing paper
60 x96 in (4 panels)
Courtesy of the artist
Image 16: Joey Holder, Abyssal Seeker (Demersal Zone), 2021
Creatures and film scenography: Yuma Burgess
Sound Design: 33EMYBW
Graphics: Raphaël de La Morinerie
Courtesy of the artist
Image 17: Hanna Tuulikki, Seals’kin, 2022
Single channel moving image and stereo sound
19:14 mins
Courtesy of the artist
Image 18: Yuko Mohri, Moré Moré (Leaky): Variations, 2022
Hose, PET bottles, bucket, sponge, pump, acrylic resin
Courtesy the artist, Project Fulfill Art Space & Mother’s Tank Station Ltd.
Commissioned by the Biennale of Sydney with assistance from the Commonwealth through the Australia - Japan Foundation, part of the Department of Foreign Affairs and Trade, The Japan Foundation, Sydney and the yoshino Gypsum Art foundation and assistance from the Nomura Foundation.
Image 19: Sheroanawe Hakihiiwe, Puu motoshi, 2020
Acrylic on cotton handmade paper, 99.5 x 71 cm
Courtesy the artist and Abra Gallery Caracas
Photo: Ricardo Gómez-Pérez
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