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Anaïs Lellouche

Collaborations with
Visionary Artists,
Collectors & Communities

Image 1: Chiharu Shiota, Connected to the Universe, 2022
Soluble wax pastel, ink and thread on paper, 21 x 30 cm
Courtesy of the artist and NF Galeria

Image 2: Hayv Kahraman, Not quite human spectacle box, 2019
Oil on linen, 25 x 25 in (63.5 x 63.5 cm)
Courtesy of the artist and Veilmetter Los Angeles

Image 3: Hazem Harb, Paradise Lost series, 2021
Archival photograph collage, pigmented plexiglass, 170 x 100 cm (66 7/8 x 39 3/8 in)
Courtesy of the artist and Tabari Artspace

Image 4: Jessica Rankin, The Indistinct Dead: 8 Dec, 1979, 2012
Graphite, ink and watercolour on paper, 84 x 84 in. (213.4 x 213.4 cm) (unframed)
86 7/8 x 86 7/8 x 2 3/8 in. (220.6 x 220.6 x 6 cm) (framed)
© the artist. Photo © White Cube (Christopher Burke, New York) Courtesy carlier | gebauer
Courtesy of the artist and White Cube

Image 5: Marguerite Humeau, Coeur de Marie, A relationship that you can't get out of your head, that is still somehow alive, unfinished. It has become a mythical place, an abandoned campsite in your mental landscape.Inspired by the Bleeding Heart, the plant extract traditionally given to the brokenhearted and the codependent, as it is made of two fused flowers, each being half a heart, 2022
Earth, clay, mineral dust, natural extracts, pigments, thermochromic pigments, plant-based and synthetic resin, nylon, bronze
Work: 40.5 x 35.5 x 30 cm
Overall: 120 x 35.5 x 30 cm
Courtesy of the artist and CLEARING

Image 6: Marguerite Humeau, Ambedo, 2021
Skeleton, lacquer, bronze, 61 x 38 cm
Edition of 5 + 1AP (#1/5)
Courtesy of the artist and CLEARING

Image 7: Marguerite Humeau, Marchantia, The feeling of being entranced and unsettled by the vastness of the universe. The experience of a jolt of recognition that the night sky is not just a wallpaper but a deeply foreign ocean – that contains stars, and worlds. An invitation to a party that already ended a million years ago. Inspired by the plant Marchantia that bears the signature of an alien planet and stars forming from its green magma, 2022.
Wax, sugars, mineral dust, glass, natural extracts, pigments, thermochromic pigments, plant-based and synthetic resin, nylon, bronze
Work: 56 x 86.5 x 48.5 cm
Overall: 151 x 86.5 x 48.5 cm
Courtesy of the artist and CLEARING

Image 8: Modupeola Fadugba, Floral Focus, 2022,
Acrylic, graphite, and metal leaf on burned canvas, 45 inch diameter
Courtesy of the artist and Gallery 1957

Image 9: Apostolos Georgiou, Untitled, 2012
Acrylic on canvas, 210 x 210 cm
Courtesy of the artist and RODEO Gallery

Image 10: Joël Andrianomearisoa, Dancing with the Angels III, 2021
Metal structure, synthetic flowers and spray paint, 240 x 140 x 140 cm
Courtesy of the artist and Sabrina Amrani

Image 11: Tracey Emin, Love Letter to the Sun, 2014
Gouache on paper, 9 x 11 15/16 in (22.8 x 30.3 cm)
Courtesy of the artist and White Cube

Image 12: Oliver Beer, Recomposition (Song and Dance), 2021
Ceramic sectioned and set in resin 29,1 x 22,7 x 3 cm
Courtesy of the artist and White Cube

Anaïs Lellouche

Carrara Tower
1 Bollinder Place
London
EC1V 2AD

+44 7493 364 895
hello@anaislellouche.com

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